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Cary
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Actor. Born Archibald Alexander Leach on January 18, 1904, in
Bristol, Gloucestershire, England, to Elias J. Leach, a clothes
presser, and Elsie (née) Kingdom. Grant grew up in a lower
middle-class environment under depressing circumstances. As the
only surviving son of his parents, he was the focus of much
criticism, and his mother continuously grieved for her firstborn
son, who had died in 1899. His father was an alcoholic who had
numerous affairs with other women; with Mabel Bass he had a son,
Eric Leslie Leach. Grant was never told about the existence of
his half brother, nor was he told the truth when (around 1914)
his mother was committed to a mental health sanitarium (he did
not see her again until his late 20s). Grant’s education
included the Bishop Road boys’ school in Bristol, and he
received a scholarship in 1915 to attend the Fairfield secondary
school in Somerset.
At the age of 14, Grant forged his father’s signature on a
letter of permission to join a traveling acrobatic troupe, led
by Bob Pender. In 1920, Grant traveled for the first time to the
United States, performing Good Times at the Globe Theatre in New
York City with a select group of boys from the Pender troupe.
After a 456-performance run at the Globe, the group teamed up
with the Ringling Bros. and Barnum & Bailey Circus, touring for
several months. When the troupe disbanded, Grant chose to stay
in America, working variously as a stilt walker and a vaudeville
performer throughout the U.S., and later in parts of Canada. He
returned to England in 1925, touring and performing in a small
regional repertory theatre
Grant moved to New York again in 1927, where he appeared on
Broadway in numerous musicals and plays while trying to break
into films. Paramount Studios finally gave him a chance,
although his screen debut, Singapore Sue (1931), was uncredited.
In 1932, newly christened by the studio as Cary Grant, he made
his feature debut in This is the Night, followed by a string of
mediocre films. He teamed up with Mae West, at her request, for
the seductive comedy She Done Him Wrong (1933), which launched a
prolific, if unremarkable, film career until 1937. At that time,
his contract with the studio expired, and he was free to choose
his own projects.
With his dashing good looks, a distinctively melodious way of
speaking, and deadpan delivery, Grant’s specialty was the
slapstick romantic comedy, although he succeeded just as well in
other genres, including suspense and action-adventure, as well
as straight romance. The Awful Truth (1937), with Irene Dunne
and Ralph Bellamy, confirmed Grant’s command as a comical
leading man. From that point on, he starred in a remarkable
number of well-crafted films, featuring Hollywood’s most
talented directors, actors and writers. In 1938, he costarred
with Katharine Hepburn in two back-to-back romantic comedies,
Bringing Up Baby, directed by Howard Hawks; and Holiday,
directed by George Cukor. The next year he starred in Hawks’
romantic adventure, Only Angels Have Wings, featuring Jean
Arthur and Rita Hayworth. He worked with Hawks yet again on His
Girl Friday (1940), a film in which Grant’s character must win
back his estranged ex-wife, played by Rosalind Russell.
In a similar role, Grant reteamed with Hepburn in 1940 for
Cukor’s star-studded Oscar-winning comedy The Philadelphia
Story. The film also featured James Stewart (who won a Best
Actor Oscar) and Ruth Hussey (nominated as Best Supporting
Actress). Hepburn picked up a Best Actress nomination for her
role in the film that was originally a Broadway play; written
especially for her by Donald Ogden Stewart, who also won an
Oscar for his screenplay.
Suspicion (1941), costarring Joan Fontaine, was the first of
four films that Grant made with Alfred Hitchcock, a director
whose mastery in creating uniquely suspenseful plots and witty
dialogue was perfectly suited to Grant’s poised and intelligent
demeanor. Over the next 18 years, the actor and director
collaborated on Notorious (1946) with Ingrid Bergman, To Catch a
Thief (1955) with Grace Kelly, and North by Northwest (1959).
Costarring Eva Marie Saint, James Mason, and Martin Landau,
North by Northwest featured some of the raciest dialogue of the
era, with Grant uttering lines such as: “the moment I meet an
attractive woman, I have to start pretending I have no desire to
make love to her.” It has become one of the most celebrated
films in history, best known for two memorable sequences in
which Grant’s character, Thornhill, is chased in broad daylight
across an ominously deserted cornfield by a low-flying crop
duster; and the film’s harrowing climax on Mount Rushmore.
Grant’s other popular though lightweight films included Arsenic
and Old Lace (1944); The Bishop’s Wife (1947); Hawk’s, I Was a
Male Warbride (1949)—in which Grant reinforces his slapstick
routine as a French soldier in drag; and the tender hearted
romance An Affair to Remember (1957), costarring Deborah Kerr.
As a point of interest, author Ian Fleming modeled the now
iconic character of James Bond after the then-equally-iconic
Grant. In fact, Grant was originally offered the role in the
first Bond film, 1962’s Dr. No, but turned it down. He then took
a Bond-stylized role in Charade (1963), costarring Audrey
Hepburn and Walter Matthau.
In 1969, Grant received an honorary Academy Award, which was
presented to him by Frank Sinatra. He also received the Kennedy
Center Honors Lifetime Achievement Award in 1981.
Grant was married and divorced numerous times in his life. He
married Virginia Cherrill in 1933, and they divorced in 1935.
From 1942-1945, he was married to Woolworth heiress Barbara
Hutton; and from 1949-1959, he was married to actress Betsy
Drake. During this period, Grant suffered a personal crisis and,
for a two-year period, he underwent controversial psychiatric
treatment with LSD, a psychedelic hallucinogenic drug. His
marriage to actress Dyan Cannon, in July 1965, lasted three
years, and they had one child together, Jennifer Grant, born
February 26, 1966. In 1981, Grant married Barbara Harris. Grant
and Harris were together until he died of a stroke on November
29, 1986, Grant died in Davenport, Iowa.
Most biographers of Grant assert that he was conflicted about
his sexual orientation and spent most of his life in denial of
his bisexuality. As evidence, they cite Grant’s recurring
relationship with actor Randolph Scott, with whom he shared a
house from 1933 on, when both were struggling actors, and later,
between Grant’s marriages.
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