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Robin
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Actor, comedian, producer. Born July 21, 1952, in Chicago,
Illinois. Williams spent his childhood years in Chicago and
Bloomfield, Michigan; his father was an executive at Ford Motor
Company. Upon his father’s early retirement, the family moved to
Marin County, California, near San Francisco. Williams dropped
out of his political science studies at Claremont Men’s College
in Claremont, California, to begin studying drama at the
Juilliard School in New York City. Back in the San Francisco
area, he began performing as both a mime and a stand-up comedian
on the burgeoning West Coast comedy club circuit.
Williams had a good deal of success with stand-up during the
1970s, including a stint at Los Angeles’ Comedy Store in his own
showcase. After performing on the revival of the Laugh-In series
in 1977-78, Williams landed a guest role on the popular sitcom
Happy Days as Mork, a lovably weird space alien from the planet
Ork. Before too long, he had brought the character to his own
spin-off sitcom, Mork + Mindy (1978-82), which costarred Pam
Dawber as the female earthling with whom Mork falls in love and
Jonathan Winters as a fellow alien.
With a successful sitcom under his belt, Williams also brought
his talents for improvisation and stand-up comedy to cable
television, headlining two Home Box Office (HBO) comedy
specials, An Evening with Robin Williams (1982) and Robin
Williams: Live at the Met (1986). In 1986, he joined fellow
comics Billy Crystal and Whoopi Goldberg in hosting HBO’s annual
Comic Relief telecast, which donated all funds raised to helping
the homeless.
Despite Williams’ undeniable success among audiences with his
television work and stand-up comedy, his film career got off to
a somewhat slower start. He made his film debut in the title
role of a disappointing live-action version of Popeye (1980),
directed by Robert Altman. Though he earned acclaim for his
performances in a film version of John Irving’s The World
According to Garp (1982) and the well-reviewed Moscow on the
Hudson (1984), he also starred in less inspiring projects such
as The Survivors (1983), Club Paradise (1986), and The Best of
Times (1986).
In 1987, Williams made the leap to the Hollywood A-list with his
Oscar-nominated performance in Good Morning, Vietnam, Barry
Levinson’s comedy-drama about an irreverent deejay assigned to a
radio station for the U.S. Armed Services in Vietnam. Even on
the set of a movie, Williams’ improvisational skills became
famous, and he was known for ad-libbing many a scene. Billed as
Ray DiTutto, Williams turned in another funny performance in the
somewhat bizarre The Adventures of Baron Munchausen (1988),
written and directed by Terry Gilliam.
Williams earned his second Academy Award nomination for Best
Actor in 1989, for his performance as John Keating, the
inspirational prep-school teacher at the heart of Dead Poets
Society. In 1990, he starred as a doctor who treats a catatonic
patient (Robert De Niro) in the acclaimed drama Awakenings,
directed by Penny Marshall.
On a less serious (and less successful) note, he played Peter
Pan in Steven Spielberg’s Hook (1991), a notorious big-budget
flop which costarred Dustin Hoffman and Julia Roberts.
Williams reunited with Terry Gilliam to score his third Best
Actor nod from the Academy in 1991 for The Fisher King, also
starring Jeff Bridges. He delighted children and adults alike by
lending his unmistakable voice to an animated blue genie in
Disney’s blockbuster hit Aladdin (1992). Although his second
effort with Levinson, Toys (1992), received a mediocre welcome
from critics and audiences, he had his biggest (live-action)
commercial success yet with the 1993 comedy Mrs. Doubtfire, in
which he played a divorced father who dresses up as a female
housekeeper in order to spend time with his children. The film,
which Williams coproduced, was directed by Chris Columbus and
costarred Sally Field and Pierce Brosnan.
Williams’ next big hit came three years later with The Birdcage
(1996), a remake of the classic 1978 La Cage aux Folles
costarring Nathan Lane and Gene Hackman. In between, he had
moderate success with the adventure film Jumanji (1995) and
turned in a cameo as a befuddled doctor in Nine Months (1995),
starring Hugh Grant and Julianne Moore. Also in 1996, he starred
in the disappointing Jack, about a boy who ages physically at an
unnatural rate, and turned in his first Shakespearean
performance as Osric in Kenneth Branagh’s epic Hamlet.
Though his teaming with Crystal in Father’s Day (1997) met with
disappointing results, Williams scored a hit that year with
Flubber, Disney’s remake of its 1961 hit The Absent Minded
Professor. He achieved a critical coup that year as well,
winning his first Academy Award—for Best Supporting Actor—for
his restrained performance in Good Will Hunting, costarring Matt
Damon, Minnie Driver, and Ben Affleck.
Though his most recent efforts—including What Dreams May Come
(1998), Patch Adams (1998), Jakob the Liar (1999), and
Bicentennial Man (1999)—have met with a relatively disappointing
critical and commercial reception, Williams remains an unusual
commodity in Hollywood: a talented comedic actor who can also
deliver sincere, affecting dramatic performances. In 2002, he
starred in the The Interpreter, directed by Mrs. Doubtfire’s
Columbus. Upcoming projects include a darkly comic indie pic
called The Big White and lending his voice for the
computer-animated musical comedy Happy Feet.
Williams has made his share of headlines for his personal life,
beginning early in his career, when he was reputed to have had a
cocaine habit, and to have snorted cocaine with comic John
Belushi just before the latter’s death of an overdose in 1982.
In 1986, Williams was sued for $6.2 million by a former
girlfriend who alleged he had given her herpes. He countersued
for extortion. The case was later settled out of court, and the
terms were undisclosed.
Williams and his first wife, Valerie Velardi, divorced in 1988
after a decade of marriage; he subsequently married Marcia
Garces, who had worked as a nanny for his son Zachary. He and
Garces have two children, Zelda and Cody. Garces is also
Williams' partner in a production company, Blue Wolf
Productions.
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